GoPro HD Hero 2's no cost ProTune update will add 24fps and higher bitrates

Diposting oleh fawaid on Rabu, 18 April 2012

GoPro, the most versatile photographic camera, and Technicolor, a globally innovator in technology and color-science, declared today at the NAB 2012 Show in Las Nevada they have proved helpful to upload Technicolor's CineStyle™ shade information for the introduction of the new GoPro Protune™ (a no cost firmware update available for the HD HERO2 photographic camera, available this summer).

Certified by Technicolor, and developed by GoPro, the Protune function firmware update is a significant development for the expert generation and post-production market, which features Technicolor shade technology into GoPro's newest affiliate marketing. These new functions incorporate to allow expert filmmakers a greatly enhanced and versatile work-flows for smooth incorporation with other source material and post-production systems.

Key functions of the GoPro Protune function include:


  • 24fps shape amount, empowering GoPro HERO2 content to be easily intercut with other resources without a shape amount conversion;
  • 35Mbps data amount for the sector's best quality compacted picture with virtually zero artifacts;
  • Neutral shade information, enabling for greater versatility in a shade modification workflow;
  • Log contour development, offering more details in dark areas and highlights;
  • Reduced maintenance and disturbance reduction for enhanced versatility in professional post- production and shade design workflows.



"GoPro Protune function is an outstanding progression for the whole expert generation industry – from filmmakers, cinematographers and DITs, to authors and colorists who are significantly depending on the HERO2 for movie shows," said Mark Newman, mature manager of application technical innovation for GoPro. "Developing this with Technicolor has offered us with a stage of technical skills that increases Protune for the expert industry. Filmmakers are making crucial choices every day on the resources they'll get for their movie shows, and we are assured our cooperation with Technicolor creates their choice that much simpler. We're awaiting our clients' response when we introduce Protune at NAB 2012."

"Technicolor is excited to make its shade technology available to GoPro throughout its Protune improved firmware," mentioned Technicolor's Alejandro Guerrero, mature v. p., Technicolor Electronic Productions. "With more than 130,000 (and counting) cinematographers already using our CineStyle shade information, we are dedicated to growing the CineStyle tool set and are excited to assist GoPro as it increases its industry platform."

Smooth Incorporation with GoPro CineForm Studio

GoPro Protune function makes integration with GoPro CineForm Facilities simple, instantly discovering Protune configurations and implementing the standard improvements to make gorgeous pictures. The work-flows is further improved by a wide range of shade adjusting presets, or 'looks' that further boost the filmmakers' tale.

Using Protune with GoPro CineForm Facilities Top quality and GoPro CineForm Facilities Expert provides additional benefits, providing comprehensive shade modification manages and custom presets to make professional, movie looks from the GoPro HERO2 taken articles. Non-destructive 3D LUTs provide even more versatility, empowering customers to further modify their pictures, operate vividness and comparison and shade modification manages to create highly stylized articles.


GoPro Protune function is available as a no cost firmware update through the GoPro CineForm Facilities software, which is also available as a obtain no cost here.

GoPro Increases Initiatives to Make GoPro CineForm Codec Commonly Available to Expert Generation Market
GoPro Goes Nearer to Ownership by SMPTE as the VC-5 Standard

GoPro, the most flexible photographic camera, declared today it is expanding its initiatives to ensure wide option the GoPro CineForm Codec, its high-performance movie codec that has been sought after in movie post-production for many years as the sector's best quality pressure structure. The GoPro CineForm Codec is well founded in the professional filmmaking market, and has been incorporated with several industry-leading gadgets and digital cams such as the Rubber Image resolution SI-2K, Cinedeck mobile catch systems, and many well known purchase gadgets.

Moreover to its initiatives to create the GoPro CineForm Codec more accessible, GoPro is also assisting the initiatives of SMPTE to look at the codec as the VC-5 movie pressure conventional to provide an start codec conventional for movie purchase and post-production.

"Since GoPro's getting CineForm last year, we recognize there may be some concerns in the expert generation and publish generation marketplaces about the long run of this award-winning codec," said Mark Newman, mature manager of application technological innovation for GoPro. "This statement delivers a powerful concept to the team that GoPro is completely dedicated, and is increasing its initiatives, to create GoPro CineForm Codec accessible for photographic camera and purchase system designers. At the same time, we are going nearer toward reaching ownership by SMPTE as the VC-5 movie pressure conventional. This progression just makes the choice to accept the GoPro CineForm Codec as the codec of choice that much simpler."

The GoPro CineForm Codec can handle RAW photographic camera types such as Bayer styles as well as RGB and YCrCb with an optionally available leader route and shade change sub-sampling.

Participation by the greater movie team in creating of the VC-5 conventional will boost the GoPro CineForm Codec to create it more appropriate for a greater variety of programs.

For more details, please check out www.gopro.com/cineform.

Interested events are also motivated to be a part of the SMPTE Specifications Panel and get involved in the progression of the VC-5 requirements. The team is particularly considering reviews from video-editing experts regarding their experience with movie pressure technological innovation and the requirements for use of a VC-5 codec in their movie workflows. For more details on doing the SMPTE VC-5 progression, get in touch with either E Reuss (edreuss@gmail.com), chairman of the SMPTE VC-5 Ad Hoc Group, or the SMPTE Movie director of Specifications Engineering, Chris Symes (psymes@smpte.org).

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